ITV, BBC, Channel 4, Endemol

2010 - 2014

After leaving university, I got my start the same way a lot of people do - by saying yes to anything I could. I picked up work at ITV on Ant & Dec shows and with their entertainment team, worked on Channel 4’s Big Brother, and ran on a few BBC shows. A lot of it was making teas and coffees, helping out wherever I could, and generally doing whatever it took to get a foot in the door and learn how the industry actually works.

IMG Studios

2015 - 2019

My career started at IMG Media, working across world-leading sports clients such as Wimbledon, The Open Championship, UEFA, World Rugby and Rolex. This is where I learned the craft - shooting, editing, producing, and delivering content in fast-paced, live environments — and built the foundations in production, logistics and working with big stakeholders under pressure.

Little Dot Studios

2019 - 2024

At Little Dot I led production across sport and entertainment content for clients including Formula 1, Formula E, NBA, Team GB, Amazon Prime Sport and Ascot - overseeing operations, budgets, resourcing and cross-functional teams across the UK and internationally. This included leading Little Dot's largest account, Formula E, a 365-day always-on global content operation with a £1.7m scope, built around scale, consistency and delivering across race weekends and digital platforms simultaneously.

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We Are Wiser

2024 - 2026

I led Wiser's in-house Films department, overseeing the full production operation across film, social content, photography and motion design. Day-to-day this meant managing budgets, resourcing a team of eight, building shoot schedules, and keeping quality high across every deliverable - from always-on social retainers to international hero film campaigns shot across Europe, the US, the Middle East and Asia. Projects ranged up to £200k+ per campaign, and the role sat at the intersection of creative, commercial and logistics — making sure everything was achievable, on time and on budget.

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FIFA World Cup, Dallas

2026

WING London were appointed by FIFA & HBS to oversee creative features content across the tournament. As one of the senior producers, I managed a production operation of 12 teams - each consisting of a producer and camera operator embedded with a national team throughout the tournament. Supported by a production manager and coordinator handling logistics on the ground, my role was to ensure every team was hitting their deliverables, maintaining quality across the board and providing support where needed. Based in Dallas for the duration of the tournament.

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